{"id":59366,"date":"2024-10-08T11:27:07","date_gmt":"2024-10-08T09:27:07","guid":{"rendered":"https:\/\/progettotouring.it\/radiotouring104\/?p=59366"},"modified":"2024-10-08T18:23:49","modified_gmt":"2024-10-08T16:23:49","slug":"the-substance-lequilibrio-sopra-la-follia","status":"publish","type":"post","link":"https:\/\/progettotouring.it\/radiotouring104\/2024\/10\/08\/the-substance-lequilibrio-sopra-la-follia\/","title":{"rendered":"The Substance: l\u2019equilibrio sopra la follia"},"content":{"rendered":"

“E\u2019 tutto un equilibrio sopra la follia”, cantava Vasco Rossi nel brano \u201cSally\u201d del 1996. \u00c8 proprio l’equilibrio il tema centrale di The Substance<\/i><\/strong>, il nuovo body horror firmato da Coralie Fargeat<\/strong>, che ha sconvolto il pubblico di Cannes e che uscir\u00e0 sul grande schermo il 30 ottobre<\/strong>, con anteprime dal 18<\/strong>.
\nCon una Demi Moore<\/strong> nella migliore interpretazione della sua carriera e una sempre meravigliosa e brillante Margaret Qualley<\/strong>, il film si addentra in una riflessione profonda e inquietante sul culto dell\u2019eterna giovinezza.<\/p>\n

La protagonista, Elisabeth (Moore), un\u2019attrice di Hollywood ormai dimenticata, viene licenziata dalla trasmissione di aerobica che conduceva dopo aver superato i 50 anni. In preda alla disperazione, risponde all\u2019annuncio di un misterioso siero sperimentale di ringiovanimento noto come “la Sostanza”. Il siero, per\u00f2, agisce in modo del tutto inaspettato: dal corpo di Elisabeth nasce per partenogenesi una versione pi\u00f9 giovane e attraente di lei, chiamata Sue (Qualley).<\/p>\n

Le regole della Sostanza sono chiare: le due donne dovranno alternarsi ogni settimana, una andando in ibernazione mentre l\u2019altra \u00e8 libera di vivere nel mondo reale, alimentata fisicamente dall\u2019altra. In cambio, Elisabeth potr\u00e0 rivivere la propria giovinezza attraverso Sue, percependo tutto ci\u00f2 che quest’ultima vivr\u00e0. All’inizio sembra che il patto funzioni, ma presto Sue diventa ribelle, rifiutandosi di rispettare i limiti imposti, prosciugando lentamente la linfa vitale di Elisabeth.<\/p>\n

Fargeat<\/strong> costruisce un film che attinge a piene mani dai classici del genere: da Society<\/i><\/strong> (1989) e Re Animator<\/strong> (1985) di Brian Yuzna<\/strong> a Videodrome <\/i><\/strong>di David Cronenberg<\/strong>, fino ad arrivare a Shining<\/i><\/strong> con le iconiche geometrie del pavimento dell’Overlook Hotel.
\nAlcune inquadrature raffinate che ritraggono Sue ricordano la cura estetica di American Beauty<\/i><\/strong>, rendendo il film un\u2019esperienza visiva potente e disturbante.<\/p>\n

Oltre agli omaggi stilistici, The Substance<\/i><\/strong> \u00e8 una critica feroce e incisiva sulla nostra ossessione per l\u2019apparenza, la bellezza esteriore e l\u2019eterna giovinezza. La parabola di Elisabeth, disposta a tutto pur di ritrovare la gloria perduta, \u00e8 un riflesso amaro della societ\u00e0 contemporanea, che ci spinge a inseguire ideali impossibili anche a costo della nostra stessa distruzione.<\/p>\n

In questo senso, il film di Fargeat va oltre il semplice body horror: diventa un manifesto contro il culto della perfezione fisica e contro l\u2019illusione della rinascita a ogni costo. Demi Moore offre una performance intensa e tragica, incarnando perfettamente la disperazione di chi tenta di sfuggire alla realt\u00e0 dell’invecchiamento, mentre Margaret Qualley dona al personaggio di Sue un\u2019energia pericolosa e magnetica, rendendo palpabile il conflitto tra le due.<\/p>\n

The Substance<\/i><\/strong> \u00e8 un film che sconvolge, sia per la sua crudezza visiva che per la sua profonda riflessione sulla condizione umana, lasciando lo spettatore a riflettere su cosa siamo disposti a sacrificare pur di non affrontare il tempo che passa.<\/p>\n","protected":false},"excerpt":{"rendered":"

“E\u2019 tutto un equilibrio sopra la follia”, cantava Vasco Rossi nel brano \u201cSally\u201d del 1996. \u00c8 proprio l’equilibrio il tema centrale di The Substance, il nuovo body horror firmato da…<\/p>\n","protected":false},"author":10,"featured_media":59369,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[36181,196],"tags":[36154,6238,36150,36155,36149,36156,36148,36153,36151,36147,36152],"class_list":["post-59366","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema","category-news","tag-brian-yuzna","tag-cinema","tag-coralie-fargeat","tag-david-cronenberg","tag-demi-moore","tag-festival-di-cannes","tag-margaret-qualley","tag-shining","tag-society","tag-the-substance","tag-videodrome"],"yoast_head":"\nThe Substance: l\u2019equilibrio sopra la 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